精度再攀高：细节之处，见真功夫蚁奖示渍糙贺辆然揭谪

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精度再攀高：细节之处，见真功夫
{《少年游·离多最是》原文翻译及赏析_作者晏几道离多最是东西流水终解两相逢浅情终似行云无定犹到梦魂中可怜人意薄于云水佳会更难重细想从来断肠多处不与今番同《临江仙·柳外轻雷池上雨》原文翻译及赏析_作者欧阳修柳外轻雷池上雨雨声滴碎荷声小楼西角断虹明阑干倚处待得月华生燕子飞来窥画栋玉钩垂下帘旌凉波不动簟纹平水精双枕傍有堕钗横
《渡浙江问舟中人》原文翻译及赏析_作者孟浩然潮落江平未有风扁舟共济与君同时时引领望天末何处青山是越中《论诗三十首·十七》原文翻译及赏析_作者元好问切响浮声发巧深研摩虽苦果何心浪翁水乐无宫征自是云山韶音这首诗是批评拘忌声病以成诗的人讲究声律是古典诗歌的一个重要特色对于诗歌的音乐美节奏感有重要意义但是对格律规定过于细密过于雕琢拘忌于声韵等形式就会使文学创作受到很大的束缚元好问崇尚自然天成的诗歌风格不满那些对声律音韵过于雕琢的作品后两句元好问举出元结耽爱山中自然水声的例子来说明即使没有人为配制音韵曲调的自然之声也如天籁之音美妙

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