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福乐绕梦魂，新年欢乐心情伴随梦境
{《水调歌头·秋雨一何碧》原文翻译及赏析_作者方岳秋雨一何碧山色倚晴空江南江北愁思分付酒螺红芦叶蓬舟千重菰菜莼羹一梦无语寄归鸿醉眼渺河洛遗恨夕阳中苹洲外山欲暝敛眉峰人间俯仰陈迹叹息两仙翁不见当时杨柳只是从前烟雨磨灭几英雄天地一孤啸匹马又西风《书河上亭壁》原文翻译及赏析_作者寇准岸阔樯稀波渺茫独凭危槛思何长萧萧远树疏林外一半秋山带夕阳
《春山夜月》原文翻译及赏析_作者于良史春山多胜事赏玩夜忘归掬水月在手弄花香满衣兴来无远近欲去惜芳菲南望鸣钟处楼台深翠微《论诗三十首·十七》原文翻译及赏析_作者元好问切响浮声发巧深研摩虽苦果何心浪翁水乐无宫征自是云山韶音这首诗是批评拘忌声病以成诗的人讲究声律是古典诗歌的一个重要特色对于诗歌的音乐美节奏感有重要意义但是对格律规定过于细密过于雕琢拘忌于声韵等形式就会使文学创作受到很大的束缚元好问崇尚自然天成的诗歌风格不满那些对声律音韵过于雕琢的作品后两句元好问举出元结耽爱山中自然水声的例子来说明即使没有人为配制音韵曲调的自然之声也如天籁之音美妙

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